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Boyz Nite Out
Male Contemporary Quintet from San Francisco, CA
No Instruments? No Problem! Specializing in cover, pop and rockin' upbeat music, this high energy group combines all-vocal drums, guitars, and horns with smooth 5-part harmony to make you think there's an entire band on stage! Members: Tom Griffin, Bill Craig, Tony Ridenour, Mark Baldi, Dave Innes Contact Boyz Nite Out    |
Profile for Boyz Nite Out on singers.com
 | Boyz Nite Out: American VinylSacramento, CA-based all-male sextet BNO first got together in a 4-bedroom house 8 years ago, and discovered the kind of chemistry that you find in the bigtime, big city groups. "Vinyl" is their third CD, after the excellent "Rho Sham Bo" and "Director's Cut." 17 songs, from the Spencer Davis Group's "Gimme Some Lovin'," "Fire" and "Come Go with Me" to remarkable vocal percussion on Lennon/McCartney's "Come Together" and on the Drifters' "Under The Boardwalk," this is great stuff. "Brown-Eyed Girl," "Footloose," "The Still Of The Night," the Righteous Bros' "My Girl," the Motown hit "Grapevine," the Doors' "People Are Strange"--the hits just keep on coming. What we love about BNO, besides their song selection, is a) their energy, spirit and love of the music, b) their great arrangements and vocal percussion, c) they're spot on key, and d) they nail every song, as you absolutely know they do in a live performance. Great stuff!
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 | Boyz Nite Out: Directors CutContemporary California sextet Boyz Night Out is back with their second CD. Seven original songs, plus covers of rock songs such as Pearl Jam's "Alive," and strong vocal percussion, courtesy of Boyz Nite Out's newest member, add up to a professional and impressive result. State-of-the-art technology and hip production create a full spectrum of sound, emphasized on tunes such as "My Heart," but these guys can sing too, as is evidenced by Boyz-II-Men type cuts like "When I Look Into Your Eyes." Funky urban pop, such as the group's own "Big Black Cadillac" and Lenny Kravitz' "If You Can't Say No," packs a wallop.
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