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We try to remain flexible and if we find something that's not working, we'll
look at changing it. If a question comes up and there is no written rule
for it, the guideline we use is: Is it in keeping with our philosophy and
purpose, and is it fair to all groups? When in doubt, ask!
Auditions
All groups must audition in order to compete. Generally this is done by filling out an online entry form.
Group Size
Groups are not limited to the number of singers however only twelve members are allowed on stage at any one time. Large groups may rotate singers during the set.
Entry Fees
An entry fee of $10.00 per singer per group (that is $40.00 for a quartet, $30.00 for a trio, etc.). Fee is due only if accepted.
Multiple Entries
One person singing in more than one competing group is allowed. If one or
two singers bring a couple of good groups that will be positive additions
to the concert, that's terrific. A group may not, however, rename itself
and compete twice just by adding or deleting a member.
Competing Again
If a group wins its regional competition but does not win the national finals,
it must skip a year before competing in their regional again (they may host
their regional following their winning year). If a group wins their regional
and the finals, they will not be eligible to compete again, but they may
certainly host, if possible.
Time Limit
May vary with different regional competitions. Generally, 10 minutes per
group is allowed. Timing begins when a group starts its first tune and ends
when it finishes its last song. A group may use its 10 minutes any way it
likes (i.e. three songs or one long medley or five short songs, etc.). The
audience will be instructed to keep applause between songs to a minimum.
What ever time limit is decided upon by the Regional Director, please stay
within it, as groups stand to lose up to 50% of their overall sores by going
over time. This keeps the show to a reasonable length and keeps the competition
fair to all groups.
Song List
Groups should let the Director know which songs they will be performing
as far in advance as possible. A list needs to be made for the judges reference,
as well as the group scheduling, to avoid back to back song duplication.
A group may change its song selection up until the show call (approximately
1-1/2 hours before show time) but the more advance preparation time we have,
the better.
Instruments
A cappella means without musical accompaniment, so basically, no instruments
are permitted. Some hand-held percussion enhancements may be allowed, such
as tambourines, maracas or the occasional kazoo. The basic guideline here
is that, if the instrument is an integral part of the number as opposed
to an incidental enhancement, it would not be acceptable. Please discuss
these options with your Regional Director well in advance of the performance.
Music Style
Any style of music will be considered, but the event is geared toward performance
and innovation. Also, it should be kept in mind that this is a family show,
and though we don't want to be Disneyland clean, all lyrics and movement
should be kept within the realm of good taste and PG acceptability.
Order of Appearance
The order is determined by the Director and announced to the groups when
they arrive at the hall or club on the evening of the competition. We schedule
the groups carefully, to avoid similar groups going back to back, and to
put some space between groups performing the same song. Groups are welcome
to indicate a preference for performance order, providing that they understand
that it is not guaranteed that they will get it.
Although there have been some complaints, we keep the order unknown for
two reasons:
1. There may be upwards of 70 performers in the competition and the Director,
stage crew and sound person will all need a word with you to run through
show order, rehearse the closing tune, tour the theater and give any other
info related to the evening. This is also the only time that you will be
given a chance to run a sound check. Groups are advised to arrive as early
as possible. Check with your Regional Director to see how early the hall
will be available.
2. We do not want to take even one phone call from groups complaining about their spot in the program and trying to get it changed. Groups have won the competitions from all different places in the program and if you're good, it doesn't matter if you perform first, last or anywhere in between!
Hosts
A host group (preferably, but not necessarily, the previous year's champs)
will open the show with one tune. The host group may also act as Masters
of Ceremony, introducing each group, filling in time when necessary and
leading the closing song.
Judges
We usually have a panel of three or more local celebrities from the music
business, media and educational fields who are qualified to evaluate vocal
music with great expertise. Most judges volunteer their services.
Judging
Groups are judged 50% on musicality and 50% on performance, with an emphasis
on originality. Good performance does not necessarily mean flashy costumes
and tricky choreography. It simply refers to the degree in which the audience
was entertained. Judges are encouraged to jot down notes that will help
to improve the groups performance and to give an overall score to assist
in the final placement, as opposed to scoring every little thing a group
does or does not do. Each group will receive a copy of the judges' comments
pertaining to their group.
Dressing Rooms
Each venue will be different, of course, but it is safe to say that until
we get to Carnegie Hall, groups will have to share dressing rooms and warm-up
areas. Obviously, common courtesy will be essential here, and if there is
a crowd, the group that is on deck should have priority over the others.
Programs
These will be geared toward the performing groups, with as much space as
possible for whatever biographical information you wish to have printed.
Each group will be allotted at least a short paragraph which should include
the name of the group, its members and a bit of history.
Sound Checks
Groups will need to provide a mic plot to the Regional Director (how you
want the mics set up for your first number, how many do you need, etc.).
There will be some time to do sound checks before the house is opened and
groups will be allowed a few minutes each on stage. Groups will be given
sound checks in the order in which they check in, first come first served.
Please be aware that levels an placements will change throughout the evening
so this will just serve to give you a feel for how you sound in the hall.
Sound System
It is imperative and every effort will be made to insure that the sound
system used in each competition is of top quality with an emphasis on plenty
of good monitors. The sound person is to be instructed to keep the mixing
to a minimum and once levels are set, allow the groups to do their own mixing
at the mics. Sound technicians seem to consistently mix the bass a bit too
low for a cappella standards; directors should make sure that the technical
personnel are warned against this.
Special Effects
These should be avoided. However, if a group wants to use special light
or sound techniques, the guidelines are that it may be used only if it is
made available to all groups and that the technical staff are willing to
spend the extra time needed to prepare it. Please consult your Regional
Director well in advance of performance date to get approval and make necessary
arrangements.
Original Arrangements
The Final competition presents an award for the best original arrangement.
Only the arrangement needs to be original, not the song. No charts are required.
It will be judged solely on the song as performed during the competition.
There may be a regional award as well, depending. Check with the Regional
Director.
Original Song
The Final competition presents an award to the best original song. Again,
no chart is necessary and the song will be judged solely on the song as
performed at the competition. Again, check with the Regional Director to
see if your regional has the same award.
Closing Song
At the end of each competition, the groups are all brought back on stage
for the awards. After all awards are given, the show will close with everyone
(including the audience) singing together. An arrangement of "Goodnight
Sweetheart" may be provided to performers, although any suitable closing
tune is fine. Groups need not prepare for this number, as we will rehearse
it before the show.
Finally
We know it is impossible to answer all of the questions that may come up so please feel free to call us with any questions at
(415) 455-8602, or contact your Regional Director personally.